The close-up shots suited the group well: You could see the dexterity of Lenny’s guitar playing, catch the flexibility of Max’s funk, and watch in awe as Romeo - an utter ham, an irrepressible sensualist, a singer of uncommon sweetness - massaged the cameras with his eyes.At (System.String virtualPath, System.String baseVirtualDir, System.Boolean allowCrossAppMapping) in :0Īt (System.String virtualPath) in :0Īt .MapPath (System.String virtualPath) in :0Īt .DirectoryExists (System.String virtualDir) in :0Īt .FindWebConfig (System.String path, System.Boolean& inAnotherApp) in :0Īt .OpenWebConfiguration (System.String path, System.String site, System.String locationSubPath, System.String server, System.String userName, System.String password, System.Boolean fweb) in :0Īt .GetSection (System.String sectionName, System.String path, context) in :0Īt .GetSection (System.String sectionName) in :0Īt () in :0Īt (System.Object x) in :0Īt. ( context) in :0Īt ( req) in :0Īt (System.Object o) in :0Īt ( wr) in :0Īt. Label: Hedonism Cat: HED 013 Media Condition: Media: Very Good Plus (VG+) Will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Sprinkled throughout the show was some unconvincing shilling for Bud Light Seltzer, but that was a small price to pay for a performance this intimate and careful. Aventura - Cuando Volveras (12') Unavailable in United States.

For about 40 minutes, they played striking, poignant renditions of “Cuándo Volverás,” “Obsesión,” “Enséñame A Olvidar,” “Un Beso” and many more hits. For this performance, three of the four members - Romeo Santos, the frontman Lenny Santos on guitar Max Santos on bass - were together on a sound stage, and the fourth, Henry Santos, was beamed in to do harmony vocals. Few acts are as well suited to this stripped-down approach as these innovative bachata superstars. This! I did not see this stellar acoustic Aventura concert live, but thankfully it is archived on YouTube. Plus, there’s nothing worse than having an appointment to keep in a moment in which time has no edge. They are, for the most part, a poor compensation, an unsatisfactory compression of artists still learning how to express the fullness of their gifts while on lockdown.

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